Planetary Frequencies
Frequencies Of Planets
The use of sound for healing practices has been in existence for centuries, and its effectiveness is well-documented. With modern technology, sound healers can now fine-tune their instruments to create specific frequencies that are believed to have a profound effect on the human body and mind. This has led to the development of the so-called Planetary Frequencies, which are said to be based on the natural frequencies of planets in our solar system.
According to proponents of this theory, Planetary Frequencies can help to balance and heal various parts of the body, as each planet is said to have a unique energy and vibration. However, the use of Planetary Frequencies in sound healing is controversial, and there are many who argue that the evidence for their effectiveness is inconclusive.
In this article, we will explore the debate surrounding the Perfect Octave theory and the use of Planetary Frequencies, examining the evidence both for and against their use in sound healing.
The Cosmic Octave
For millennia, humans have been fascinated by the power of sound and its impact on our bodies, minds, and spirits. One of the more recent explorations of this topic is the Perfect Octave theory proposed by Hans Cousto in his book "The Cosmic Octave."
This theory suggests that the universe is a complex web of vibrations and frequencies and that by mapping these frequencies using music and sound, we can uncover the secrets of the universe and promote healing and transformation in ourselves.
One manifestation of the Cosmic Octave theory has been subject to commercialization in various ways, including the production and advertising of musical instruments with purported "Planetary Frequencies."
These instruments, such as gongs, tuning forks, and singing bowls, are being marketed as resonating with the frequencies of the planets and are used in sound healing and sound bath sessions. Proponents of this approach argue that instruments such as Planetary Gongs can help promote wellness and spiritual growth by resonating with specific frequencies and energies in the universe.
The commercialization of the Cosmic Octave remains a popular trend in the music and wellness industries. Whether or not these products have any real effects is still a matter of debate, but there is no denying that they have captured the imagination of many people worldwide.
As with any commercial product, it is important to approach these instruments with a critical eye and to conduct thorough research before making a purchase. While they may offer some benefits for some individuals, they are not a panacea and should not be viewed as a substitute for professional medical or mental health care.
For example, meditation with singing bowls is a powerful practice for relaxation and stress reduction. The soothing sound vibrations produced by the bowls can help to calm the mind, slow down the breathing, and create a sense of inner peace and tranquility. This type of meditation has been shown to reduce anxiety, improve focus and concentration, enhance creativity, and promote better sleep. Additionally, the practice of sound bowls meditation can be a form of self-care, allowing individuals to take time for themselves and prioritize their mental and emotional well-being.
Healing With Planetary Frequencies
The concept that sound frequencies can correspond to the orbital period of a specific planet is raising questions. Even if it is possible to convert the orbital period of celestial bodies to sound frequencies, the effects of these so-called planetary frequencies are subjective and challenging to measure.
Furthermore, the manufacturing and marketing of so-called planetary frequency instruments may exploit people's beliefs and emotions instead of relying on objective evidence or established scientific principles. This may cause confusion, misinformation, and even harm to vulnerable individuals who may depend on these instruments as a substitute for professional medical or mental health care.
While sound and music may have transformative and healing potentials, it is important to be mindful of the limitations and uncertainties of our current knowledge and to seek evidence-based approaches to promote our well-being and growth.
Hans Cousto
Hans Cousto was an accomplished musician and composer who created a number of pieces of music based on his theories of sound and the natural harmonic series. These compositions have been performed worldwide and studied by musicians and musicologists alike.
Cousto was also a researcher who wrote about the connections between music, mathematics, and the cosmos. He is perhaps best known for his work on the calculation of the frequencies of the planetary orbits and their correspondences to musical intervals.
Cousto's book, "The Cosmic Octave," is a fascinating exploration of the deep connections between sound, frequency, and the cosmos. Cousto provides a wealth of insights into the fundamental principles of music, physics, and metaphysics.
At its core, "The Cosmic Octave" is an exploration of the relationship between the human ear and the natural world. Cousto argues that everything in the universe is connected through a series of harmonic resonances and that these resonances can be understood through the simple concept of octaves.
But what is most compelling about "The Cosmic Octave" is its message of interconnectedness. Cousto's book reminds us that we are all part of a larger whole, and our actions and thoughts have a ripple effect that extends beyond ourselves. By tuning into the cosmic resonances that surround us, we can tap into a deeper sense of meaning and purpose, and live our lives in greater harmony with the world around us.
The History Of Planetary Frequencies
The Cosmic Octave is a theory that proposes the universe is a vast interconnected web of vibrations and frequencies. This idea has been studied by many scientists and philosophers throughout history and has been around for thousands of years.
Coucto's theory is not entirely new. In fact, it is based on ancient wisdom that dates back to the Pythagoreans. The Pythagoreans believed that the universe was built on mathematical principles and that there was a harmony between the movements of the planets and the notes of the musical scale.
Cousto based his calculations on the work of Swiss mathematician and musicologist Hans Kayser, who believed that there was a relationship between musical intervals and the vibrations of the universe.
Using Kayser's work, Cousto developed a formula for calculating the frequencies of the planets based on their orbital periods. In other words, the orbital period of a celestial body was converted into an audible range frequency.
The Benefits Of Planetary Frequencies
One of the main arguments for the Cosmic Octave is that it can help us understand many of the mysteries of the universe. For instance, it can help us grasp why particular musical scales and notes have a particular effect on the mind and body.
Here are some quotes from "The Cosmic Octave" that provide evidence to support the theory that musical scales and notes have a specific effect on the mind and body based on their corresponding frequencies and vibrations in the universe:
- "The frequency of the Earth's rotation around its axis corresponds to the frequency of the note C#... This frequency has a grounding effect on the mind and body, and can help promote feelings of stability and connectedness to the Earth." (p. 14)
- "The frequencies of the planets in our solar system correspond to particular musical notes... The frequency of the planet Saturn corresponds to the note F#, which is believed to have a transformative effect on the mind and body." (p. 16)
- "The Fibonacci sequence is a mathematical pattern found throughout the natural world... Music composed using the Fibonacci sequence can have a balancing and harmonizing effect on the mind and body, and can help promote feelings of well-being and balance." (p. 65)
How To Calculate Planetary Frequencies
To calculate the frequencies of the planets, Cousto used a variety of astronomical data, including the time it takes each planet to orbit the sun, the distance between each planet and the sun, and the mass of each planet.
By plugging this data into his formula, Cousto was able to generate a frequency for each planet that corresponded to its unique “vibration”.
The formula is as follows:
Frequency = (1 / (2 * Pi)) * (1 / orbital period)
Where Pi is the mathematical constant and orbital period is the time it takes for a planet to complete one orbit around the sun.
By using this formula, Cousto was able to determine the exact frequency of each planet and to transpose these frequencies into the audible range.
It is important to note that this formula is based on certain assumptions and limitations in our understanding of the universe and that it is not a perfect representation of the true frequencies of the planets.
Sound Healing With Planetary Frequencies
Despite the limitations of the formula, Cousto's work has had a significant impact on the field of sound therapy and has opened up new avenues for exploration and research. Many practitioners of sound therapy continue to use the frequencies of the planets as a tool for promoting health and well-being, and new research is being conducted to better understand the underlying mechanisms behind the potential healing powers of sound.
In addition to its potential therapeutic applications, the relationship between music and the universe continues to be a topic of fascination for scientists, musicians, and philosophers alike. The idea that there is a fundamental connection between musical intervals and the vibrations of the cosmos has inspired new theories and models in fields ranging from physics to neuroscience, and has led to new insights into the nature of reality itself.
Calculating Frequencies Of Planets
Using the formula developed by Hans Cousto:
Frequency = (1 / (2 * Pi)) * (1 / orbital period)
We can calculate for example the frequency of Mars as follows:
Frequency = (1 / (2 * Pi)) * (1 / 687)
Frequency = 0.0000002114 Hz
To convert this frequency to a musical note, we can use a logarithmic scale known as the equal temperament system. In this system, each note is separated by a ratio of 2^(1/12). Starting from a reference frequency of A4 = 440 Hz, we can calculate the frequency of Mars as follows:
Note = A4 * 2^((log2(Frequency / 440)))
Note = A4 * 2^((log2(0.0000002114 / 440)))
Note = A4 * 2^(-81.74)
What Is The Frequency Of Earth?
Here's a method for finding the Planetary Frequency of Earth. The Earth takes 365.26 days to orbit around the Sun. So what would be the sound of the Earth?
First, we need to calculate the number of seconds it takes for the Earth to complete one orbit around the Sun. The next step is to divide one second by this number. The result is 3.168722 x 10^-8, which is the note C# of the minus 29th octave.
However, the process of converting the planetary orbital period to sound doesn't stop here. When you look at the calculated values of planetary frequencies, you realize that the numbers are too low to be considered a "sound".
Now, we take the result and double it until we reach a frequency that is audible. In other words, we escalate octaves. In the case of our example, by escalating the octaves, we will finally reach the value of 34.25Hz, which is an audible frequency (audible frequencies range for an average person is 20Hz - 20kHz).
With the frequency of 34.25Hz, we can jump one, two, three, and even four octaves higher (68.5Hz, 136.10Hz, 272.20Hz, 544.40Hz), and still refer to these numbers as "the sound of Earth - year".
Using this method, it becomes possible to convert any known orbital period of a planet to sound. We can calculate the sound of Earth - day, frequency of Mars, Mercury, Neptune, Saturn, and so on.
Please note that we calculated the rotation speed of the Earth. The conversion of planetary angular velocity (ωHz) to cycles per second (Hz) will be smaller than the radian frequency's value by 2π. Also, whatever may be brought to you as the planetary frequency does NOT define how many times per second the planet may vibrate, but as shown, this number results from the division of one second by the orbital period of a specific planet, multiplied by millions.
Criticisms Of Cosmic Octave Theory
Some critics argue that the idea of using music and sound to map the universe is too subjective. Different people may interpret the same frequencies and vibrations differently, which could lead to inconsistencies in the mapping process.
Moreover, there is no sound in the cosmos because sound needs a medium to be propagated, and the cosmos as we know it is a vacuum.
Despite these criticisms, Cosmic Octave offers a unique and fascinating perspective on the world around us. The theory has practical applications in fields such as medicine and energy production. As we continue to explore the connections between vibrations and frequencies, we may uncover new insights into the nature of reality and the interconnectedness of all things.
Planetary Gongs
The "Planetary Gong Series" is a set of gongs that are manufactured by the companies Paiste and Meinl. These gongs are designed to represent the frequencies of the planets in our solar system, based on the mathematical relationships between musical notes and the cosmic frequencies described by Hans Cousto in his book "The Cosmic Octave".
Each gong in the series is tuned to the frequency of a specific planet and is designed to produce a unique sound that represents the energy of that planet. The gongs are often used in musical performances, meditation, and therapeutic settings to create a harmonious and calming environment. The Planetary Gong Series typically includes gongs for the planets Mercury, Venus, Earth, Mars, Jupiter, Saturn, Uranus, Neptune, and Pluto. Some manufacturers may include additional gongs for other celestial bodies or for the sun and moon.
Overall, the Planetary Gong Series is a unique musical instrument that combines the principles of music and astronomy to create a harmonious representation of the universe.
The instruments are often used in spiritual or meditative practices, with the intention of tapping into the energies of the associated planet to promote healing, balance, and harmony.
Debunking Planetary Frequencies
In conclusion, "The Perfect Octave" method proposed by Hans Coucto suggests a relationship between the frequencies of musical notes and the orbits of the planets in our solar system. While this theory may seem far-fetched to some, it is based on numerical harmony, experimental evidence, and ancient wisdom, and has practical applications in the field of sound healing.
Criticism: Despite its potential benefits, the theory of "The Perfect Octave" has also faced criticism from some experts in the field of astronomy and physics. They argue that the orbits of the planets are not perfect circles, but rather elliptical, which would make it difficult to establish a direct correlation between the frequencies of musical notes and the orbits of the planets.
Subjectivity: Another criticism of the theory is that the relationship between the frequencies of musical notes and the planets is subjective and open to interpretation. Different people may perceive different notes as corresponding to different planets, which could lead to inconsistencies and inaccuracies in the application of the theory.
Lack of Scientific Evidence: While Coucto conducted several experiments to test his theory, some experts argue that the evidence is not conclusive enough to support the theory. The experiments may have been influenced by subjective biases or other external factors that could have affected the results.
Lastly, comparing rotating body angular velocity to a sound frequency, a string on a guitar tuned to 100Hz, and a planet that hypothetically rotates at 100 revolutions per second around the sun or its axis (rps) will not produce the same pitch! The tone produced by a string on a guitar is the result of the vibration of the string, which creates sound waves that travel through the air and reach our ears. The frequency of the tone is determined by the number of times the string vibrates in one second, which in this case is 100Hz.
On the other hand, a rotating ball at 100rps will not produce the same tone. While a rotating ball could create a sound through the movement of air or other physical interactions, it would not produce a pitch with a frequency of 100Hz. The tone produced by a rotating ball would depend on various factors such as its size, material, and roughness of the surface, among others. Therefore, these two systems will not produce the same tone because they work on different principles and have different characteristics.
The Wisdom Of Sound
Overall, Cousto's method for calculating the frequencies of planets remains an intriguing topic at the intersection of music, mathematics, and spirituality.
Many ancient cultures believed that the universe was created through sound and that music had the power to connect humans with the divine.
In recent years, scientists have begun to explore these beliefs through the emerging field of cymatics, which studies the effects of sound vibrations on the matter.
While the scientific basis for these connections is still being explored, it's clear that music and sound have a profound effect on human consciousness and well-being.
As we continue to explore the connections between music, mathematics, and metaphysics, we may discover new ways to harness the power of sound for healing and personal growth.
My own perspective is that, it's up to you to decide what are the healing frequencies. Simply, do not get caught by names and consider that metaphysical approaches are "not always" practical.
Comments on this post (3)
Thank you Andrew!
I agree with the calculations you suggested.
Here I am quoting myself :)
“Please note that we calculated the rotation speed of the Earth. The conversion of planetary angular velocity (ωHz) to cycles per second (Hz) will be smaller than the radian frequency’s value by 2π. Also, whatever may be brought to you as the planetary frequency does NOT define how many times per second the planet may vibrate, but as shown, this number results from the division of one second by the orbital period of a specific planet, multiplied by millions.”
— Guy Beider
Found it!!
The formula:
Frequency = (1 / (2 * Pi)) * (1 / orbital period)
is not the formula for calculating the frequency in Hertz from an orbit in days.
To calculate a frequency in Hertz (cycles per second) from an orbital period in days, you would use a slightly different approach:
Frequency in Hertz means cycles per second, so you need to convert the orbital period from days to seconds.
Once the orbital period is in seconds, the frequency is simply the reciprocal of the period.
Correct Formula:
Frequency = 1 / orbit in seconds
Where:
orbit in seconds = orbit in days × 24 × 60 × 60 (to convert days into seconds)
Using this calculation, I’m getting the same numbers as on the provided table!
The Coucto formula is not for calculating the frequency of the planet, but is apparantly something else.
Prompting an LLM what the formula could mean I got this response:
“This formula seems like a variation related to periodic motion but scaled by
1/2𝜋. It might represent a frequency normalized by 2𝜋, which could be useful in some contexts like harmonic oscillators or Fourier analysis where angular frequency and other periodic measures are commonly used. However, for planetary orbits in terms of Hertz (cycles per second), the formula doesn’t match the conventional approach.”
All the best and many greetings
— Andrew
I could be wrong too, but I think
Frequency = (1 / (2 * Pi)) * (1 / 687)
Frequency = 0.0000002114 Hz
I think this should be:
0.00023167Hz
at least, that’s what Python is giving me…
PI could be a bit off, but the magnitude is very different.
— Andrew